Hannah Clark
Hannah trained in theatre design at Nottingham Trent University and Central School of Speech and Drama. She was a winner of the 2005 Linbury Biennial Prize for stage design.
Theatre designs include: A MIDSUMMER NIGHT'S DREAM (The Globe); THYESTES (Arcola, London); UNDER MILK WOOD (Northampton Theatre Royal); NOCTURNAL (The Gate, London); BILLY WONDERFUL (Liverpool Everyman); HORTENSIA AND THE MUSEUM OF DREAMS (Vanbrugh Theatre, RADA); THE SNOW QUEEN (West Yorkshire Playhouse); PROPER CLEVER (Liverpool Playhouse); Pequenas Delicias (Requardt & Company); TORN (Arcola, London); ROADKILL CAFE (Requardt & Company, Centro Coreografico de Montemor-o-Novo, Portugal / Teatro Fondamenta Nuove, Venice / The Place). House Of Agnes (Paines Plough); Breakfast With Mugabe (Theatre Royal Bath); The Cracks In My Skin and WHO'S AFRAID OF VIRGINIA WOOLF? (Manchester Royal Exchange); OTHELLO (Salisbury Playhouse); AS YOU LIKE IT and WE THAT ARE LEFT (Watford Palace Theatre); BIG LOVE (The Gate, London); TERRE HAUTE (Assembly Rooms, Edinburgh / Trafalgar Studios / UK Tour / 59E59, New York); THE TAMING OF THE SHREW (Bristol Old Vic); JAMMY DODGERS (Requardt & Company, The Place / Royal Opera House 2 / INT Tour); DEATH OF A SALESMAN, WHAT THE BUTLER SAW, BLUE/ORANGE, A VIEW FROM THE BRIDGE, I JUST STOPPED BY TO SEE THE MAN, TWO and FRANKIE AND JOHNNY IN THE CLAIR DE LUNE (Bolton Octagon).
