2,000 FEET AWAY

Sold out

Eldon, Iowa is a tiny community in the heartland of America. Its Deputy Sheriff is charged with enforcing the new state law banning sex offenders from living within 2,000 feet of schools, parks, bus stops, public libraries, or anywhere else children may gather.

When the Deputy is compelled to evict his neighbours' son the new law hits home. Over the course of this single weekend, fear and intolerance swell in Eldon and the two men are thrown together to discover that there is nowhere in this vast landscape for these Iowa's outcasts to go.

Powerful, compassionate and urgent, 2,000 FEET AWAY tells a gripping story about seemingly reasonable laws with terrible consequences and the price we pay for safety at any cost.

This is a past event
Sound Designer
Lighting
Direction
Designer

Cast

Joe Ashman

cast

Oliver Coopersmith
Kirsty Bushell
Kirsty returns to the Bush to play Astrid in Boys Will Be Boys – she previously appeared in Disgraced and 2000 Feet Away. She previously worked for Headlong playing Harper in Angels in America. Her other theatre work includes Hedda Gabler (Salisbury Playhouse), Antigone (Barbican/International Tour), The White Devil, Twelfth Night, Comedy of Errors and The Tempest (RSC), Edward II, 13, Edgar and Annabel, There is a War, Danton’s Death, The Voysey Inheritance, Two Gentlemen of Verona (National Theatre), The Big Meal (Theatre Royal Bath), Know How I Feel About Eve (Hampstead Theatre), Belongings (West End/Hampstead Theatre), 1000 Stars Explode in the Sky, Don Juan (Lyric Hammersmith), Pornography (Tricycle), Serious Money (Birmingham Rep), Angels in America (Headlong), Plenty, Far Away, Fen, A Girl in the Goldfish Bowl (Sheffield Theatres), Blue Heart, Testing the Echo (Out of Joint), The Seagull (Northampton Theatres), An Inspector Calls (West End). For television, her work includes SilkFrankie, Silent Witness, True Love, Roger Roger (BBC), Injustice, FM (ITV), Pornography (Channel 4), Pulling (Siver River/BBC), Law and Order (Kudos) Midsomer Murders (Bentley Productions), Talk to Me (Company Pictures, Family Man (BBC), Life Isn’t All Ha Ha Hee Hee (Hat Trick). Film work includes Women and Children and Really (Night for Day Films).
Joseph Fiennes

cast

Kevin Trainor

cast

Charlotte Beaumont

cast

Miranda Princi

cast

Ian Hart

cast

@bushtheatre

@bushtheatre Much love to all and look forward to being back to see you guys soon x
Nikki Meadows CDG CDA
@nikkimcasting
01 Apr
It will be worth the wait! https://t.co/W8s3bBePfb
NIFTY NOEL
@NiftyNoel
01 Apr
The comeback will be even greater!! #LevelUp 💛 https://t.co/7Xk12uLI1G
May
@mayabdi_
01 Apr
Soon come... and it will be worth the wait. Big up the whole Level Up team. 💜💚 https://t.co/xHGiihXupJ
Lynette Linton
@LynetteLinton
01 Apr
If you were due to take part in this weekend's #AuditionsAccessFund free Audition Day @bushtheatre in partnership w… https://t.co/Izsi0WVscO
NationalYouthTheatre
@NYTofGB
30 Mar

Bush Green

Conversations, dispatches and ideas from the Bush Theatre.

Go to BushGreen
the lonely creative. by Robyn London

I have spent my life immersed in creativity.  As a guide, passion or perhaps what others may interpret as an unrealistic dream.  It is embedded within my earliest memories. It has nurtured my soul. There is beauty in the moments of creativity that healed parts of me, that I didn’t realise were broken. Memories of…

Our doors are closed for now, but our work continues

Following the latest government advice about Coronavirus, the Bush Theatre building is now temporarily closed to the public. It is with enormous sadness that we closed our doors, but the safety and wellbeing of our audiences, company, and staff is of utmost importance. Although our doors are closed, we are still committed to finding ways…

Women in Tech: An Interview with Technical Manager Amy Clarey

For International Women’s Day we are celebrating our very own Amy Clarey, who is Technical Manager at the Bush. Amy is responsible for leading the technical department in working across all productions, events and activity in the building. Traditionally when it comes to technical roles in theatre, women have often been sidelined and not given…