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Collaborating on The Cord: Dr Jess Heron & Bijan Sheibani

Thu 25 Apr 2024 | Our Plays, The Bigger Picture

Dr Jess Heron, founder and CEO of National perinatal mental health charity, Action on Postpartum Psychosis (APP), and acclaimed writer and director, Bijan Sheibani, collaborated on research for his new play The Cord, that follows a family struggling to navigate the postpartum period. “APP, which began as a research panel, now supports women and families…

BUSHCYLING: How we’re improving our sustainability, one stage set at a time

Thu 23 Nov 2023 | Our Plays, The Bigger Picture

When you watch a new show at the Bush, you’re seeing a brand new set every time… or are you?  Putting on a production can use a lot of resources: from energy for lights to purchasing costumes and furniture to the timber needed to build sets and scenery, so we try to reuse materials as…

“I keep coming back to sex and death – but, you know, in a fun way.” Meet Marcelo Dos Santos

Thu 02 Nov 2023 | Our People, Playwriting

With a day to go until Feeling Afraid As If Something Terrible Is Going To Happen bursts onto our stage, we caught up with writer Marcelo Dos Santos to get the inside scoop on his inspirations for the play and how it feels to, as he says, “put it all out there”. “I’m inspired by…

RADAR 2013: Q&A with Inua Ellams

Wed 13 Nov 2013 | Our Plays

Yesterday we gave you Inua Ellam’s dulcet tones and enviable charm via a podcast of his brilliant speech at RADAR 2013’s Opening Night. Today (you lucky things) we’re posting his RADAR Q&A.

Don’t miss Inua’s Midnight Run, Friday 15 November beginning at the Bush at 5.45pm, here he tells us a little about it…

Tell us about Midnight Run in one sentence.

Loitering for hipsters.

What questions lies at the heart of the event; what are you asking the audience?

How quickly can you willingly loose your “personal space”?
How free do you feel in your own city?
Tell me three things about yourself, one of them must be a lie.

What sparked the original idea for this piece and how has it evolved?

Boredom and a late running bus 345 on Lavender Hill in 2005. Now, it includes strangers, artists, play and moonlight.

What excites you about being part of RADAR 2013?

Have you seen the line up? Are you kidding me?

Do you feel your work is inspired by, responding to or reacting against any work from wider culture (films, art, music, etc)? Can you send us something to illustrate your point? Think YouTube videos, music tracks, visual artists etc.

My work is inspired by EVERYTHING in wider culture. It actively works against it, that’s the whole point. To illustrate my point, watch this – imagine.

What direction do you feel yourself moving in creatively, and what comes next for you as an artist?

I am planning bigger, larger runs internationally and looking to build a team around me to publicise and really go global with the simple idea. Besides this, I have a few plays I’m working on, and the eternal quest to rule the world.

We’re compiling a RADAR playlist to play in the bar throughout the festival – we’re asking the audience and our Twitter followers what songs inspire them to break down walls and build bridges. What songs would you add to it and why?

“Umi says” by Mos Def, “Get by” by Talib Kweli, “We all Try” by Frank Ocean, “Do what you gotta do” by Nina Simone “Every Step” by Tawiah “One Life” by Eska and Matthew Herbert. Individually, they are glimpses of perfection, to me they are great than the sum of their parts and together, they give a sense of what everything is all about.

All of Inua’s nominations have made the #RADARplaylist, come listen at the bar, suggest your own on twitter, and hang out with the man himself at the Midnight Run.