RADAR 2013: Q&A with Nathan Bryon

The spirit of RADAR is upon us! We’ve asked our brilliant RADAR artists to join us in a big conversation about the nature of theatre & creativity; what theatre should be confronting; and where inspiration comes from.

We’ll be blogging these conversations everyday in the run up to the festival. First up we had a lovely, funny, and inspirational chat with Nathan Bryon, writer of On Negril Beach, which is featuring as a RADAR Sneak Peek alongside a performance of Chalk Farm on Thursday 14 November, 7.30pm.

Tell us about this work in one sentence.

Negril Beach, the famous Caribbean shop that the community loves, but are the council going to make them close their doors or will Maude…?

What questions lies at the heart of the work; what are you asking the audience?

I am asking the audience to take notice of what is happening in their local community; a lot of people are unaware of the regeneration in Shepherds Bush until the scaffolding goes up and then it is too late. I want the audience to love the micro world of the shop and really feel for Maude and the hard decisions she had to make. I am also asking the audience to take in and appreciate what they have in their community and, if they feel removed find ways to get involved and make a difference.

What sparked the original idea for this piece and how has it evolved?

What sparked the idea was the local pie and mash shop on Goldhawk Road which had been open for 109 years. I have lived in Shepherds Bush for 22 years and I had never been in, I had walked past it a million times – my dad told me the council is trying to shut it down and people are campaigning. I am not the biggest fan of pie and mash but I dragged myself there and it was brilliant! It was local, great, simple food for a cheap price.

For me, losing that shop and having to go into Westfield to get some Bouji pie and mash with leek and avocado is not what I am about. I wanted to create a situation that I could relate to and that was my local Caribbean restaurant which I love,Ochi. The thought of Ochi closing down for a Waitrose gives me rage, ha hah, so I created On Negril Beach.

What excites you about being part of RADAR 2013?

What I have loved so far with RADAR is the experimental-ness (is that a word?) of it. I have been forced to create soooo much work and then trim; you make more and more until you have written the boomest it can be. The Bush have given me an opportunity as a young artist to create in a safe environment. I cannot wait to be in the rehearsal room with the actors and watch it come to life. Don’t get me started on the night of performance I am BUZZZZING, but on the day I will probably be crippled with nerves, ha hah – bit of a roller coaster.

Do you feel your work is inspired by, responding to or reacting against any work from wider culture (films, art, music, etc)?

For me whilst I have been writing, I have been jamming to reggae and ska music, literally I sit at my writing desk blazing big tunes from Smiley CultureThe SpecialsToots and the Maytals.

I also had to expand my reggae knowledge and have reached out to people who have given me lists of artists to listen to, so I have just involved myself in this world of music because it relates sooo much to Caribbean culture. In On Negril Beach on the counter they have ‘Grammy’ Maude’s beautiful present from her late father that plays all the tunes in the shop.

What direction do you feel yourself moving in creatively, and what comes next for you as a company/artist?

I was thinking about this the other day funnily enough and I have not forced myself consciously into this, but community has come to be a very big part of my work as I think that is the route of many problems in our modern society. It is very funny because at the same time I am writing this I am writing a Rastamouse episode which is all about community and ‘making a bad ting good’.

We’re compiling a RADAR playlist to play in the bar throughout the festival – we’re asking the audience and our Twitter followers what songs inspire them to break down walls and build bridges. What songs would you add to it and why?

The first song I would have to add is Bob Marley’s One Love. Such a boom song with the most positive vibrations! Once, when I went to Notting Hill Carnival there was a very big fight breaking out in the crowd and the DJ played One Love – no word of a lie – the lads stopped fighting sung along and then when the song ended got back to beating each other, for me that shows the magic that song has.

My next one is The Specials, A Message To You Rudy. This is another song the minute you hear it you just wanna give the person next to you a hug and start shaking a leg, The Specials were such an incredible band and it is a song that to my ears will never get old.

Finally, Jimmy Cliff, You Can Get It If You Really Want… I mean come on, the vibes are boom and it is in the lyrics!! YOU CAN DO IT IF YOU REALLY WANT!! – I am playing it now on YouTube…

 

Join the discussion @bushtheatre

RT @SJT_OnTour: Thank you to everyone who has been supporting #BuildARocket so far we have loved having you in! Shout out to @LeedsPlayhous
StephenJosephTheatre
@thesjt
19 Aug
Thank you to everyone who has been supporting #BuildARocket so far we have loved having you in! Shout out to… https://t.co/3W1KCMLk5F
SJT On Tour
@SJT_OnTour
19 Aug
@RyanJPEarly @bushtheatre Indeed - what a cool first job.
Jeremy Herrin
@JerHerrin
19 Aug
@JerHerrin One Life And Counting @bushtheatre directed by @sashawares..also her first job.. much better result.
Ryan Early
@RyanJPEarly
19 Aug
Melissa Saint
@melissasaintt
19 Aug