The Burning Tower

by Helena Thompson
S.P.I.D. Theatre in association with Bush Theatre presents

“And I tell you what, most of us ‘heroes’ – we’re still trapped.”

Sarah and Em are best friends who grew up together in West London. Since 2017, they’ve worked hard researching their estates’ past as Living History youth ambassadors. Together they’ve prepared a presentation on the local heritage of social housing.

But Grenfell’s shadow threatens the show as the performance space falls into darkness, fuses blow and Sarah starts to panic. Will a mysterious, old latecomer who keeps trying to take over prove a help or a hindrance?

The Burning Tower, a new play by Helena Thompson, is an interactive response to the Grenfell fire. Inspired by interviews with local West London estate residents, it will be performed in council estate community spaces nationwide before a site specific performance at Kensal House estate.

The company of The Burning Tower consists of three actors and five artists.

“The Burning Tower is a passionate defence of social housing”
The Guardian ★★★★
“Moving and passionate”
The Stage ★★★★
★★★★ The Morning Star
As seen on London Live BBC News and ITV News

The Burning Tower is supported by Arts Council England.
This is a past event
Director
Writer
Set and Costume Designer
Associate Designer
Assistant Director
In association with
Sound Designer

Cast

Bianca Stephens
Bianca trained at Royal Welsh College of Music and Drama. Theatre work includes: Midsummer Night’s Dream (Storyhouse), Julius Caesar (Storyhouse), E15 (Lung Theatre), The Great Austerity Debate (Menagerie Theatre), Always Orange (RSC), Blue (Richard Burton Company), The Rover (Richard Burton Company), Narrative (Richard Burton Company), Macbeth, (Richard Burton Company), In Arabia We'd All Be Kings (Richard Burton Company), Dogville (Richard Burton Company). Radio work includes: Dorian Grey (Big Finish).
Alice Franziska
Alice was born in Cambridge, raised in New Zealand, and eventually transported back to England aged nine. Much to her (and her father’s) disappointment, she lost the accent, but she did gain a love of acting from her new county, Shakespeare’s Warwickshire. Since then she has played roles including Beatrice (Much Ado, SYC), Martirio (Bernarda Alba, Playbox) and “2” in a new piece of writing by acclaimed poet Sabrina Mahfouz (Blame us for the Flood, NYT Epic stages). She has trained with the National Youth Theatre and MN Screen Academy. She is represented by Middleweek Newton.
Hayley Carmichael
Hayley co-founded theatre company Told By An Idiot. Theatre work includes: Crave (Barbican), UnderGlass (Clod Ensemble), First Love is The Revolution (Soho), Beyond Caring (The Yard), Too Clever By Half (Manchester Royal Exchange/ TBI), Forests (Birmingham Rep), Hamlet (Young Vic), Fragments (Bouffes du Nord), Bliss (Royal Court), Cymbeline (Kneehigh), Theatre Of Blood (NT), Zumanity (Cirque de Soleil), I Weep At My Piano (TBI), The Dispute (RSC), Street Of Crocodiles (Complicite). TV work includes: Les Miserables, Witness For The Prosecution (BBC), Kiss Me First (CH4), Chewing Gum (Retort). Film work includes: Casanova (Bluelight), Undergods (Scott Free) Hunger Artist (Daria Martin), Tale of Tales (Archimedes), Emperor’s New Clothes (Bonaparte).

@bushtheatre

Bush Green

Conversations, dispatches and ideas from the Bush Theatre.

Go to BushGreen
A year of unforgettable stories – new season on sale now

 Stories from all corners of our city that speak to the highs, lows and beautiful messiness of being human. From the seedy underbelly of cryptocurrency to breathless forbidden kisses on street corners – our new season is going to take you on a journey. We’re all about launching and sustaining careers for the most…

Collaborating on The Cord: Dr Jess Heron & Bijan Sheibani

Dr Jess Heron, founder and CEO of National perinatal mental health charity, Action on Postpartum Psychosis (APP), and acclaimed writer and director, Bijan Sheibani, collaborated on research for his new play The Cord, that follows a family struggling to navigate the postpartum period. “APP, which began as a research panel, now supports women and families…

BUSHCYLING: How we’re improving our sustainability, one stage set at a time

When you watch a new show at the Bush, you’re seeing a brand new set every time… or are you?  Putting on a production can use a lot of resources: from energy for lights to purchasing costumes and furniture to the timber needed to build sets and scenery, so we try to reuse materials as…