EIGENGRAU

$post = $writer; setup_postdata($post); ?>
by EIGENGRAU
Sold out

Strawberry Vale Productions in association with Western Edge Plays and the Bush Theatre present

Eigengrau

[ay-gen-gr-ow ] – noun intrinsic light; the colour seen by the eye in perfect darkness

Rose believes in true love and leprechauns. Her flatmate Cassie is engaged in a fervent struggle against patriarchal oppression.

Across London, Mark believes in the power of marketing. His flatmate Tim Muffin is engaged in a fervent struggle to get out of bed in the morning.

When circumstance throws them together, all four have their beliefs tested to devastating effect in a biting black comedy about trying to connect in a city where Gumtree can sometimes feel like your closest friend.

*Age rating 15+. Please be advised, this play contains scenes of a sexually explicit nature, real cigarettes and strobe lighting. Please call the Box Office for more information

Post-show Events:

We've also lined up some special FREE post-show events on the following dates:

23rd March – Feminist Panel Discussion

Responding to some of the issues raised in Eigengrau, a panel of women including Kat Banyard (author of The Equality Illusion: The Truth About Women and Men Today) and Tessa Walker (Paines Plough's Literary Director) will be discussing feminism in the modern day.

29th March – Response Plays

A selection of talented new playwrights (including Andrew Keatley, E V Crowe, Paula B Stanic and Tom Wells) have each written a short play in response to Eigengrau. They will be performed on the Bush stage following the performance.

Direction by: Hannah Dickinson, Ant Stones, Tim Hoare & Ed Viney.

Events will take place at the end of the show and run for 30-40 minutes. Open to all Eigengrau ticket holders. Subject to availability

This is a past event
Designer
Lighting
Writer
Direction
Sound Designer

Cast

Alison O’Donnell

Alison is currently reprising her leading regular role in the BBC’s Shetland series opposite Douglas Henshall.

Her theatre credits include Boys (Headlong), Yerma (Gate Theatre and Hull Truck Theatre), The Hard Man (Scottish Theatres Consortium), My Romantic History (Bush Theatre/Sheffield Crucible), Eigengrau (Bush Theatre), Dolls (National Theatre of Scotland), Lady Windermere's Fan (Oran Mor), The Assassination of Paris Hilton (Racked), Mad Funny Just (Creased), 1 in 5 (Hampstead Theatre Daring Pairings), Phaedre (Offstage), Barren (Old Vic New Voices - The 24 Hour Plays), The Ghost Sonata (Goat and Monkey) and Broken Road (Hush Productions).

Her television credits include Shetland (BBC), Holby City (BBC), Feel the Force (Catherine Bailey Productions).

John Cummins

Theatre includes: The Good Soul of Szechuan
(Manchester Library Theatre), A Stab In The Dark
(Kings Head/Latitude Festival), Our Country?s Good
(The Watermill), Edward II (B.A.C.), Pains of Youth
(Belgrade), Romeo and Juliet (B.A.C.), The Reporter,
The Alchemist (National Theatre), The Strindberg
Project ( National Theatre Studio), The Beaver Coat
(The Finborough).

Television includes: Eastenders, Holby City, Doctors, Banged up Abroad.

Radio includes: London Calling, To Sicken And So Die, A Fare To Remember, Small Gods, Twice Brightly, Hold My Breath, The Voice of God, Troilus and Cressida, The Fountain Overflows, Agatha Rasin, Clare in the Community.

Sinead Matthews

Theatre includes: Our Class (National Theatre), His
Ghostly Heart, Little Dolls (Bush Theatre)), Women Of
Troy (National Theatre), The Wild Duck (Donmar),You
Never Can Tell (Bath & Tour/West End), The Birthday
Party (West End), The Mandate (Royal National), The
Crucible (Crucible), Spoonface Steinberg (GBS).

Film includes: Wreckers, Nanny McPhee 2, The Boat That Rocked, Spring Of 1941, Happy Go Lucky, Wednesday (short), Pride and Prejudice, Vera Drake.

Television includes: Men Are Wonderful, Half Broken Things, Ideal x 6, Trial and Retribution, Who Gets The Dog, The Hogfather, Viva Las Blackpool, He Knew He Was Right.

Geoffrey Streatfeild

Theatre includes: The Contingency Plan: On the Beach and Resilience (Bush Theatre); Pains of Youth, The History Boys, The Bacchai (National); Journey's End (West End); Henry VI Parts 1, 2 & 3, Richard III, Henry IV Parts 1 & 2, Henry V (RSC); Nathan the Wise, Merchant of Venice (Chichester).

TV includes: Ashes to Ashes, Hunter, Elizabeth I, 20,000 Streets Under the Sky, Midsomer Murders, Timewatch, The Other Boleyn Girl, Love in a Cold Climate, Sword of Honour.

Film includes: Angel, Matchpoint, Kinky Boots.

@bushtheatre

Excited! Looking forward to it! https://t.co/acvBKABsiL
Jackie Kay
@JackieKayPoet
16 Jul
Our fabulous @PREEYAKALIDAS will play Aisha in #Chiaroscuro directed by @LynetteLinton in her first production as A… https://t.co/dlithNsirI
Revolution Talent
@UKRevolution
16 Jul
This is gonna be 🔥 https://t.co/egrq9HlNTt
Melissa Saint
@melissasaintt
15 Jul
Yes can’t wait to see @PREEYAKALIDAS on stage , her voice 😍 https://t.co/ERcWL1l4Aq
skylark
@skylark198seven
15 Jul
To be clear, when you theatre people talk about ‘all women this & all women that’ THIS 👇🏾is the diversity I’m looki… https://t.co/LGBtoKPwjk
S Jasmin Phillips
@ShereenJasmin
15 Jul
Hi twitter friends. So I’m on the lookout for a photographer, someone who is good at capturing theatre but live eve… https://t.co/grUuKKDVwA
Tasha Msanide
@tashamsa
10 Jul

Bush Green

Conversations, dispatches and ideas from the Bush Theatre.

Go to BushGreen
Work Experience Diary| Hana: “I’m incredibly lucky to have had an insight into this world”

Our work experience student Hana tells us about her time at the Bush Theatre. It sounds a little cliché, but I can honestly say I’ve had a wonderful week of work experience at the Bush Theatre. Obviously when we think of theatre we tend to focus on what happens on stage, in front of an…

Caryl Phillips’ Strange Fruit Preface: “My generation had become even more vocal and uncompromising”

Caryl Phillips, writer of Strange Fruit, describes the context of his debut play in the Preface to the playtext published by Oberon Books. It’s available from our online book shop. I wrote ‘Strange Fruit’ during the autumn of 1979. I had graduated from university in June of the same year with a desire to write, but this was long before the…

New Voices – Bold Visions

Lynette Linton Announces Her First Season As Artistic Director of the Bush Theatre   This season at the Bush Theatre UK debuts by British and Irish writers will fill our stages. You’ll find extraordinary stories of lived experiences that speak to all corners of our city. I believe in the Bush’s power to write narratives…