The Invisible

$post = $writer; setup_postdata($post); ?>
by The Invisible
Sold out

In 2008 Rebecca Lenkiewicz became the first living female playwright to have an original play staged on the Olivier stage at the National Theatre (Her Naked Skin). Her quietly powerful and all-seeing new play, written in response to real-life cuts to legal aid, weaves together the stories of ordinary people fighting for their right to justice.

On her one night off this week, lawyer Gail is on a date with a man called Ken. It isn’t going well. All he really wants is some sympathy. All she wants is a bottle of rosé, a little fun, and to forget it all.

But Gail can’t switch off. Not really. Because in a bedroom in Southall a woman is being abused and there’s no one to help her. Up and down the country people are being forced to represent themselves in court. Tomorrow morning an old man will wake up to a different world. Changed. Hated. Invisible.


This production is kindly sponsored by The Law Society.

Interested in helping us to grow a play? Join the 144 Club, support The Invisible, and get closer to the action. Find out more here.

This is a past event
'Strong and impassioned'
The Guardian
'Warmly insightful'
The Independent
'A generous-hearted play'
Sunday Times
'Kaleidoscopic' and 'exceptionally timely'
Financial Times
'Absorbing'
The Times
'Its message needs to be shouted, to be roared.'
The Stage
'Provocative, edgy and dark'
TheatreCat

Photo & video

Sound Design and Original Music
Director
Writer
Lighting
Designer

Cast

Sirine Saba
Sirine trained at RADA. Her theatre credits include Fireworks, The Spiral (Royal Court), Holy Warriors, Anthony and Cleopatra (Globe), Next Fall (Southwark Playhouse), The Winter's Tale, Taming of the Shrew, Midsummer Night's Dream, Twelfth Night, HMS Pinafore (Regent's Park Open Air), The Keepers of Infinite Space (Park), The Fear of Breathing (Finborough), Scorched (Old Vic Tunels), Nation, Sparkleshark (National Theatre), Testing the Echo (Out Of Joint/Tricycle), Baghdad Wedding (Soho), Beauty and the Beast, Midnight's Children, The Tempest, The Winter's Tale, Pericles, Tales from Ovid, A Midsummer Night's Dream, A Warwickshire Testimony (all RSC), Cinderella (Bristol Old Vic), House and Garden (Northampton). Film and TV credits include Lipstick, Exhibition, Maestro, Death of the Revolution, Doctors, I am Slave, Silent Witness, Footballer's Wives, The Bill and Prometheus. Sirine has recorded a wide variety of plays, books and stories for BBC Radio 4 and BBC Radio 3.
Scott Karim
Scott’s theatre credits include The Merchant of Venice (Globe Theatre), Dara (National Theatre), Great Britain (National Theatre/ Theatre Royal Haymarket), Grand Budapest Hotel (Secret Cinema), and Othello (National Theatre). For television he has appeared in Holby City (BBC).
Alexandra Gilbreath
Alexandra is an Olivier Award-nominated actor whose theatre credits include Shakespeare's Birthday Bash, The Merry Wives of Windsor (both RSC), Playhouse Creatures (Chichester Festival Theatre), Shallow Slumber (Soho Theatre), Othello (Sheffield Crucible Theatre), The Village Bike (Royal Court Theatre), Hay Fever (Rose Theatre Kingston), Twelfth Night (RSC Stratford/ West End), Lucky You (Magic Key Productions), Merry Wives: The Musical, The Tamer Tamed, The Taming of the Shrew, As You Like It, Romeo and Juliet, The Winter's Tale, Ghosts,  Love's Labour's Lost and The Country Wife (all RSC), Cyrano De Bergerac (RSC/ West End), The House of Bernarda Alba (Gate Theatre), Hedda Gabler (Ian Charleson Award, English Touring Co./ Donmar) and King Lear (West Yorkshire Playhouse). Television credits include Father Brown, Casualty, WPC 56, Doctors, EastEnders (all BBC), and Midsummer Night's Dreaming (RSC/ Google). Film credits include A Hundred Streets, Tulip Fever, The All Together, and Dead Babies. Alexandra is an associate artist with the RSC.
Niall Buggy
Niall is an Oliver Award-winning actor whose best known roles include Uncle Vanya (Gate Theatre, Dublin and Lincoln Center, NYC), for which he won Best Actor in the Irish Times Theatre Awards, Aristocrats (Hampstead Theatre, Manhattan Theater Club) for which he won a number of awards including the Time Out Award, Obie Award in New York, Drama Desk Award and a Clarence Derwent Award. He was awarded the Olivier Award for Best Comedy Performance in Dead Funny and won the TMA Award for Juno and the Paycock (Wyndham’s Theatre). Other theatre credits include Penelope (Druid Theatre, Edinburgh Festival, Hampstead Theatre), Whistle in the Dark (Kennedy Center), The Gigli Concert (Finborough Theatre), A Kind of Alaska (Gate Theatre), The Hanging Gardens (Abbey Theatre, Dublin), The Importance of Being Ernest (Harold Pinter Theatre), Translations (Sheffield Crucible), Haunted (Sydney Opera House and New York), After Play (Gate Theatre, Edinburgh and Sydney Festivals), and Guys and Dolls (Piccadilly Theatre). Television credits include Inspector Lewis, Dalziel and Pascoe, Father Ted, The Bill and Once in a Lifetime. Film credits include Mamma Mia, Casanova, The Butcher Boy, Alien 3, The Playboys and Mr Turner.
Nicholas Bailey
Nicholas’ theatre credits include Macbeth (Mercury Theatre), Soho Streets (Soho Theatre), Breakfast with Mugabe (Theatre Royale Bath), Mela (West Yorkshire Playhouse), Become a Man (Hackney Empire), Blue on Blue (Haymarket Basingstoke), A Sense of Justice (Perth Rep), Mother Courage and Her Children (Shared Experience), Dreaming (Manchester Royal Exchange, West End), Life is a Dream (Barbican/ Brooklyn Academy of Music), Easy Access (For the Boys) (Drill Hall), Life is a Dream (Edinburgh Royale Lyceum), King Lear (National Theatre), Hamlet, The Winter’s Tale (both Manchester Library Theatre), and  Julius Caesar (Manchester Royal Exchange). For television, Nicholas is best known for playing Dr Anthony Truman on EastEnders. Other credits include, Siblings (BBC3), Doctors (BBC), Anubis House (Lime Pictures, Nickelodeon), Law & Order UK (Kudos), Miranda (BBC), Manchester Passion (BBC4), Walter Tull: Forgotten Hero, Inside Out (BBC - presenter). Radio credits include Tokolosh, Albion Towers, Midwich Cuckoos, The Archers and Silver Street (BBC Radio).

@bushtheatre

If you were due to take part in this weekend's #AuditionsAccessFund free Audition Day @bushtheatre in partnership w… https://t.co/Izsi0WVscO
NationalYouthTheatre
@NYTofGB
30 Mar
Oi I'm gonna start rocking suits to the @bushtheatre on a standard day. Watching these damn tiktok videos got me gassed.
Daniel Bailey
@DanielLBailey
29 Mar
Just watched the amazing B*easts by @MonicaDolan shared by @bushtheatre - A nuanced and refreshing story around how… https://t.co/lyedxoc6ir
fiona moon
@fionamoon1
28 Mar
Debra Michaels
@DebraMichaelsB
28 Mar
Roy Alexander Weise
@RAWeiseArtist
27 Mar
PSA: The rather brilliant @MonicaDolan play The B*easts is available on IGTV for the weekend. I saw it a few years… https://t.co/u7tdGNJ099
Sophie Taylor
@Taylor_SJ
27 Mar

Bush Green

Conversations, dispatches and ideas from the Bush Theatre.

Go to BushGreen
Our doors are closed for now, but our work continues

Following the latest government advice about Coronavirus, the Bush Theatre building is now temporarily closed to the public. It is with enormous sadness that we closed our doors, but the safety and wellbeing of our audiences, company, and staff is of utmost importance. Although our doors are closed, we are still committed to finding ways…

Women in Tech: An Interview with Technical Manager Amy Clarey

For International Women’s Day we are celebrating our very own Amy Clarey, who is Technical Manager at the Bush. Amy is responsible for leading the technical department in working across all productions, events and activity in the building. Traditionally when it comes to technical roles in theatre, women have often been sidelined and not given…

LGBT+ History Month: A Spotlight on Bloom Theatre

As part of LGBT+ History Month we spoke to Jack Cook and Simon Fraser, founders of brand new theatre company Bloom Theatre, about what inspires them and the work they create to celebrate the weird and wonderful people of the world.  Tell us a little about yourselves- as individuals as well as a company  SIMON…