Harm

This isn’t Hanne’s first time at the Bush Theatre. Before Harm she worked on The Arrival, Strange Fruit, Leave Taking and Misty. Other credits include The Claim (Shoreditch Town Hall), Dinomania (New Diorama), Zaza (Opera Holland Park), Madam Butterfly (King’s Head Theatre), The Curious Incident of the Dog in the Night Time (Gielgud Theatre) and Sweeney Todd at the Harrington’s Pie and Mash Shop (Shaftesbury Avenue).

London-born British-Malaysian artist and composer Jasmin Kent Rodgman brings together the contemporary classical, electronics and sound art worlds.

In 2018/19 she was a British Council and PRS Foundation Musician in Residence, living and composing for two months in Lanzhou, China. In 2017/18, she was a London Symphony Orchestra Jerwood Composer, writing new music, producing and curating for the 2018 LSO season. That year she was mentored by composer Errollyn Wallen and director/producer Jude Kelly as well as travelling to Bangalore, India, to direct her debut dance-music video idol lost. In 2019 she received a PRS Foundation Women Make Music grant for her site-specific music production TRIPTYCH and Help Musicians Do It Differently support for her upcoming debut EP.

Her music and live productions have been performed across the UK and internationally with partners including London Fashion Week, World Music Festival Shanghai, Edinburgh International Festival, Wilderness Festival, Roundhouse, Shoreditch Town Hall, Barbican, Oxford Playhouse and the Royal Albert Hall. Her film scores have featured at festivals such as Sundance, SXSW, Toronto International Film Festival, Kaohsiung International Film Festival and the London Short Film Festival.

Jerome Reid Is a Freelance Production Manager based in London.

His career began as a technician at The Albany, Deptford, before later becoming the Chief of Electrics.

Jerome holds a bachelor’s degree in technical theatre arts, from the Guildhall School of Music and Drama.

Kala Simpson‘s stage management credits include: Female Shorts (Hoxton Hall), Beauty and the Beast (Queen’s Theatre), End of Hope (Soho Theatre), Room ( Theatre Royal Stratford East), Five Guys Named Moe (Speilgeltent Festival Square).

Theatre includes: Summer and Smoke (Almeida Theatre/West End), Jesus Christ
Superstar (Regent’s Park Open Air Theatre/US Tour/Barbican Theatre),
Constellations (Royal Court/West End/Broadway/UK tour), Gundog, Road,
Nuclear War, a profoundly affectionate passionate devotion to someone (-
noun), X, Linda (Royal Court), The Welkin, Mr. Gum and the Dancing Bear – The
Musical!, Protest Song (National Theatre), Nora (Young Vic/Citizens Theatre),
Berberian Sound Studio (Donmar Warehouse), Dance Nation (Almeida Theatre),
The Son (Kiln Theatre/West End), West Side Story, Jubilee (Manchester Royal
Exchange), Burgerz (Hackney Showroom), Imogen (Shakespeare’s Globe), Doctor
Faustus (RSC), The Weir, A Streetcar Named Desire (English Touring Theatre),
Black Men Walking (Eclipse/Manchester Royal Exchange/UK Tour), A Number
(Nuffield/Young Vic), Mametz (National Theatre Wales), Depart (LIFT), Woyzeck,
Peter Pan (Birmingham Rep), Plenty (Chichester Festival Theatre).

Dance credits include: Opus 131 (Russell Maliphant), Enowate (Dickson Mbi), Blak
Whyte Gray (Boy Blue Entertainment), Clowns, Sun, Political Mother, In Your
Rooms, Uprising (Hofesh Shechter), Untouchable (Royal Ballet), Grey Matter,
Tomorrow, Frames (Rambert).

Opera credits include: Orphee Et Eurydice (ROH/Teatro Alla Scala), Fidelio,
Nothing (Royal Danish Opera), Tosca (Opera North), Nabucco (Opera National de
Lorraine). Phaedra (Linbury Studio, ROH).

Phoebe Eclair-Powell is a writer from South East London, and the most recent winner of the Bruntwood Prize for her play Shed:Exploded View. In 2015, Phoebe’s debut play, WINK at Theatre 503 received rave reviews and four Off West End nominations including ‘Most Promising New Playwright’. Her play Fury was runner up for the Verity Bargate Award 2015, and subsequently won the Soho Young Writer’s Award and had its run extended at Soho Theatre due to popular demand. It also received an ‘Offie’ nomination for ‘Best Play’.

For 2016-17 Phoebe was the resident playwright at Soho Theatre through the Channel 4 Playwright scheme.  During which she had two Edinburgh shows, Torch with Jess Edwards (Underbelly, New Diorama) and Epic Love and Pop Songs (Pleasance Theatre).  In 2017 Phoebe adapted The Picture of Dorian Gray for the Watermill Theatre, which toured schools and village halls. In 2018, Phoebe’s play These Bridges was part of the National Theatre’s Connections Festival.

Prior to this, Phoebe completed the Channel 4 Screenwriting course. She was also on the Soho Writers’ Lab for 2014/15. Phoebe was a previous member of the Royal Court Young Writers and the Royal Court invited group under Alice Birch. Phoebe was commissioned by the BBC writers-room drama programme with Sid Gentle Films and took part in Nick Frost and Simon Pegg’s YA incubator at their company Stolen Picture. Phoebe has written for award-winning Channel 4 continuing drama Hollyoaks.

Phoebe is currently under commission with Freemantle Australia, Newcastle Live Theatre and Paines Plough Roundabout. Phoebe is working on several original TV shows as well as writing episodes on other shows for Kudos, Twelve Town and Slim production.  As well as writing, Phoebe has worked as an Assistant Script Editor and researcher for Kudos Television on Sky series Tin Star (1, 2 & 3) and as Assistant Script Editor for FILMWAVE on YA Netflix show A Letter to The King.  Phoebe was also assistant to the writer Patrick Barlow on two projects – Ben Hur at the Tricycle and A Christmas Carol at the Noel Coward Theatre (Olivier Award nominated for ‘Best Comedy’).

Rosanna Vize trained at Bristol Old Vic Theatre School as a theatre designer. She has worked regularly as an assistant to Anna Fleischle and was the resident design assistant for the RSC from Sep 2014 – Sep 2015. She was a Linbury Prize Finalist in 2013 working with English Touring Opera and is currently one of the Jerwood Young Designers.

Theatre includes: King Lear (Shakespeare’s Globe, Dir: Nancy Meckler), The Phlebotomist (Hampstead Theatre), Hedda Gabler (Sherman Theatre), The Earthworks & Myth (Royal Shakespeare Company), The Almighty Sometimes (Royal Exchange Manchester), Yous Two and The Phlebotomist (Hampstead Theatre), Henry I (Reading Between the Lines), Girls (Soho Theatre, Hightide & Talawa Theatre), FUP, Noye’s Fludde (Kneehigh Theatre), Dark Land Lighthouse, St Joan of the Stockyards, A Thousand Seasons Passed, The Tinder Box, The Last Days of Mankind, Talon (Bristol Old Vic), Diary of a Madman, The Rise and Shine of Comrade Fiasco (Gate Theatre), Infinite Lives, Coastal Defenses (Tobacco Factory Theatres), Banksy: The Room in the Elephant (Tobacco Factory Theatre and Traverse Theatre), Edward Gants Amazing Feats of Loneliness, Wicked Lady (Bristol Old Vic Theatre School), The Picture of John Grey (The Old Red Lion), Measure for Measure (Oxford School of Drama).

Opera includes: Don Giovanni (Hampstead Garden Opera), A Midsummer Night’s Dream (RSC & Garsington Opera).