Conversations, dispatches and ideas from the Bush Theatre.
Sophia Chetin-Leuner from our Emerging Writers Group opens up about Imposter Syndrome First Emerging Writers Group (EWG) meeting. I’ve already googled everyone, obviously. Their accolades are big. Big awards, tv shows, productions. I hope no one googled me. We go round, introduce ourselves. My eczema flares up when I’m nervous, and I feel myself getting…
Time Out London’s “Top 10 Cabaret Superstars”, Victoria Falconer, gives us a breakdown of Unwrapped – the new cabaret and comedy festival she is curating at the Bush Theatre this December. Just a few short weeks ago, I was sitting in a coffee shop for an early meeting with Jess and Angela, two of the…
This New Ground Collective is a Community Associate Company at the Bush Theatre for 2018. Here’s an insight into the themes and inspirations for their show The Moving Play. We are This New Ground collective. We are human beings, a collection of artists and creative people. We are a team, who come together to learn and…
The Bush Theatre makes plays in one of the most culturally diverse areas in London, and we’re incredibly proud of that. We want our community to feel part of our past, present and future. We run an exciting programme of community projects for young people and adults, including our flagship Community Associate Companies programme. 2019…
Zia Ahmed from our Emerging Writers’ Group reflects on a trip to Edinburgh Fringe Festival I’m back in london After quick trip to fringe + my lips are covered in sores This has only happened one other time before ——- My first day at fringe this year The flat I’m staying at a like a…
Our work experience student Zane Jawad tells us about his time at the Bush Theatre. In the weeks leading up to my work experience placement, I was very excited. Even at this age (14), I know that working in theatre is something that I want to do. I love the atmosphere in theatres and the…
Our work experience student Tomek Goodwin tells us about his time at the Bush Theatre. One word to describe the Bush. Amazing. I have done a lot and seen things that would help me in the future. Now let’s go to the start of the week Monday. When I first came in, I felt I was really…
Our work experience student Sania Ramnarine tells us about her time at the Bush Theatre. That first day, I just remember being incredibly uncertain of myself. Completely unsure that I would even like it, I’m more of a performer myself, and in the weeks running up to my placement, I was plagued with this unyielding thought…
Our work experience student James Murtagh tells us about his time at the Bush Theatre. What. A. Place. Spending a week here has been both fascinating, hugely informative and, importantly, great fun! Upon my arrival on Monday morning I was greeted by friendly smiles and the welcoming community atmosphere of the Bush. Holly, the Community Producer,…
Our work experience student Jessica Burrows tells us about her time at the Bush Theatre. When I stepped out of Shepherd’s Bush Market station on Monday morning, I was thrilled by the hustle and bustle of the people rushing past. Slightly apprehensive, I crossed the road and approached the door to the Bush Theatre. As I waited…
Our work experience student Celina, from Germany, tells us about her time at the Bush Theatre. I stood in front of the building for at least five minutes before I entered it, trying to observe the feeling. Nervous, yes. But excited. Which outweighed the tension, luckily. A thousand questions on my mind. Will you understand…
Want more from your theatre trip? Join us for free post-show Q&As, panel discussions and informal theatre chats this season. These live events will aim to provide you, and especially solo attenders, the chance to find meaning through conversation and reflection upon our work. We will ask big questions about the world now: from the nuance of…
Zain Dada, our Community Intern, on why seeing the faces of the writers we programme matters. He looks forward to the Bush Theatre’s 2018 Season. “Diversity,” a term so egregiously applied that its usage has become a tired refrain in the arts and cultural sector. Once arts institutions, galleries and theatres catch on to terminology, language…
